DVORAK MORAVIAN DUETS PDF

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Scarlatti Sonatas Vol 2. Feinberg Piano Sonatas. Schoenberg Violin Concerto. Early Keyboard. The fact that the Op. The genesis of the duets came in the period the year-old composer spent as a teacher in the household of the Neff family. In the end he decided not to go the easier route of adding a second part to monophonic folk songs with simply harmonised piano accompaniments, preferring instead to write his own music. The fast-flowing final song, a ploughman setting, is especially delicious here.

The next set, Op. It was this set that earned the admiration of Hanslick and Brahms, who praised it and urged publication to Simrock. The first printing had German translations, a second edition adding a bilingual English text and only with the third edition did Simrock compile a three-language publication to include the original Czech.

The introspective intimacy of Grow Green, Grown Green is enhanced by deft pianissimos. The final collection was Op. The four settings are compact and characterful and not much different from their companions composed not long before: gentle, warm, lightly melancholy, and robustly athletic depending on the selected theme.

Schwarzkopf and Seefried famously recorded Op. The performers bring a spirit of youthful generosity to bear and judicious sampling will provide plenty of Moravian-based nourishment. Jonathan Woolf. Donate and keep us afloat. Nimbus Podcast. Follow us on Twitter.

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Moravian Duets

Dvorak began writing Moravian Duets at the request of Prague wholesale merchant, patriot and patron Jan Neff , who engaged him as a piano teacher for his family from or Neff and his wife Marie were great music enthusiasts and regularly organised small concerts at home, where they sang songs and duets. Neff proposed that Dvorak might like to arrange certain Moravian folk songs from the famous collection by Frantisek Susil, Moravian Folk Songs with Melodies Included in the Texts , as duets with piano. Dvorak initially agreed to this, but then decided that, instead of arranging the existing melodies, he would use only the texts, for which he would write completely new musical settings. The collection of Moravian Duets appeared gradually, over a period of approximately two and a half years. After an interval of five weeks, he added another ten duets to this collection marked in the manuscript as Series III, Op. In August of the following year Dvorak wrote four duets Op.

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