FRANCESCONI ETYMO PDF

The Italian composer Luca Francesconi has a respectable curriculum since studying with Karlheinz Stockhausen and Luciano Berio, who also served as assistant between and , and was the director of the Biennale Musica in Venice. Like his mentors Francesconi seems determined to extend the vitality of the modernist tradition by absorbing and transforming more popular contributions, rock, jazz and ethnic music by making extensive use of electronics. This record produced by the German label Kairos allows an interesting excursus in his musical forms. In Etymo, his most substantial work, 25 minutes, soprano Barbara Hannigan plays and sings lyricals and poems drawn from Baudelaire while a chamber ensemble plays and ripples musical textures around her.

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The Italian composer Luca Francesconi has a respectable curriculum since studying with Karlheinz Stockhausen and Luciano Berio, who also served as assistant between and , and was the director of the Biennale Musica in Venice. Like his mentors Francesconi seems determined to extend the vitality of the modernist tradition by absorbing and transforming more popular contributions, rock, jazz and ethnic music by making extensive use of electronics.

This record produced by the German label Kairos allows an interesting excursus in his musical forms. In Etymo, his most substantial work, 25 minutes, soprano Barbara Hannigan plays and sings lyricals and poems drawn from Baudelaire while a chamber ensemble plays and ripples musical textures around her. Her voice is like the call of a siren between the iridescent turbine of music; Francesconi isolates her sound and distorts it through the electronical machines by adding a strange hallucinatory effect.

Da Capo, for nine musicians, follows a path, an arc that goes from silence to frantic activity, with a backward journey moving musical proportions by doing.

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#Review of Etymo by Luca Francesconi (2008, KAIROS Production 0012712KAI) on #neuguitars #blog

This CD, featuring the music of Italian-born composer Luca Francesconi, is the latest release from the Vienna-based Kairos label, and ably keeps up their record of presenting us with some of the more interesting work occurring in contemporary composition. Having already issued many releases of music by important composers currently active but rarely performed in this country although Francesconi's music did feature recently in the 'Music of Today' series in London , there is much to be thankful for in the label's consistently high quality of output. On the basis of this Francesconi CD, which contains two such pieces as well as two acoustic pieces, we should look forward to fruitful products from the union. It is certainly welcome to see that an adventurous outlook still holds in the ethos of musical composition, in an age when there is an all-too-easily assumed attitude that everything has already been done and that the available resources of compositional material have already been exhausted. The first and last pieces on this disc easily dissuade from this view, and suggest a limitless potential for exploration in the admixture of traditional means with current technologies.

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Francesconi: Etymo, Da Capo, A Fuoco, Animu

Luca Francesconi born 17 March in Milan is an Italian composer. Luca Francesconi was born in Milan. His father was a painter [3] who edited Il Corriere dei piccoli and conceived Il Corriere dei ragazzi, [4] while his mother, an advertiser, created a number of famous advertising campaigns. Francesconi spent his early years in QT8, a working class quarter in Milan that rose up alongside a huge pile of post-war rubble which would later become Monte Stella. At the age of five, won over by a concert by Svjatoslav Richter, he began to learn the piano. Although he was accepted into the junior high school section of the city's conservatory six years later, he instinctively pulled out, thinking that it was too academic and conventional.

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Francesconi: Etymo / Da capo / A fuoco / Animus

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Luca Francesconi

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