He received his initial training in music from private teachers. As a high-school student, he joined the Belgrade Choral Society, which enabled him to continue his education in Munich. However, his financial circumstances did not allow him to complete his studies there, so he returned to Belgrade, where he found work as the conductor of the Kornelijechoral society. A successful performance of his First Garland secured him a two-year scholarship, which enabled him to resume his studies, this time in Rome and Leipzig. He participated in the Serbian String Quartet, the first Serbian ensemble of that kind that gave regular performances —
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He received his initial training in music from private teachers. As a high-school student, he joined the Belgrade Choral Society, which enabled him to continue his education in Munich. However, his financial circumstances did not allow him to complete his studies there, so he returned to Belgrade, where he found work as the conductor of the Kornelijechoral society.
A successful performance of his First Garland secured him a two-year scholarship, which enabled him to resume his studies, this time in Rome and Leipzig. He participated in the Serbian String Quartet, the first Serbian ensemble of that kind that gave regular performances — He was a co-founder and headmaster of the Serbian School of Music in Belgrade founded in ; today the Mokranjac School of Music , thus he is also credited with setting up professional music education in Serbia.
He also engaged in collecting and transcribing Serbian folk music. His works in the domain of sacred choral music belong among the highest reaches of sacred music in general, matching that of a Tchaikovsky or Rachmaninoff. In , he was admitted to the Serbian Royal Academy as a corresponding member. The cheerfulness that inspires the whole of this Ohrid rhapsody — except in the second, deeply tragic element — is also distinguished by the fact that, among all of us from the Balkans, only a Macedonian could highlight and express it.
Those are moments of crystal creative inspiration. In his notes there is no trace of this melody either. Perhaps during his journey, in Skopje, where he took down a lot of material, he found a basis for this deep musical thought? Already those two opening bars, setting the first three syllables! That entire movement of a genius simplicity and extraordinary internal impetuousness, where harmonic architectonics floats — a revelation.
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