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Elizabeth Costello, de J. Coetzee's Elizabeth Costello interprets animal silence as a form of resistance to human exploitation. This essay interrogates Elizabeth Costello's interpretation of animal silence by exploring the role of such silence in the construction of the human subject via its constitutive finitude.
I argue that the intersection between nonhuman silence and human mortality should be understood through the concept of sacrifice, which, as my reading of Derrida demonstrates, destabilizes any interpretation of animal silence as autonomously resistant. Through this relationship between silence and sacrifice, I seek to resituate the ethics of Disgrace, and especially to decentre the speaking voice of David Lurie as the ethical heart of the narrative, presenting a significant revision to previous readings of the novel.
While much critical attention has proposed that the seeming expansion of Lurie's sympathetic imagination in his interactions with dogs signals his development as an ethical being, my argument locates the ethic of the novel not in the speaking voice of David Lurie, but rather in the many significant silences, both human and animal, contained within the text. Aaltola, E.
Coetzee and Alternative Animal Ethics. Coetzee and Ethics. New York: Columbia UP. Agamben, G. Language and Death: The Place of Negativity. Pinkus and M. Hardt Trans. Minneapolis: University of Minnesota Press. Attridge, D. Novel: A Forum on Fiction, 34 1 , Barnard, R. Coetzee's Disgrace and the South African Pastoral.
Contemporary Literature, 44 2 , Boehmer, E. Interventions, 4 3 , Coetzee's Disgrace. Poyner, Ed. Coetzee and the Idea of the Public Intellectual. Calarco, M. Derrida, J. Wills, Trans. New York, Fordham UP. Cadava, P. Nancy Eds. New York: Routledge. Chicago: University of Chicago Press. Donovan, J. Miracles of Creation: Animals in J. Coetzee's Work. Michigan Quarterly Review, 43 1 , Durrant, S. Poyner Ed. Geiger, I. Writing the Lives of Animals.
Singer Eds. Herron, T. Twentieth Century Literature, 51 4 , Hooper, M. Scenes from a dry imagination: Disgrace and Embarrassment. Neill Eds. Coetzee's Austerities. Farnham: Ashgate. Jolly, R. Going to the Dogs: Humanity in J. Lippit, A. Electric Animal: Toward a Rhetoric of Wildlife. Marais, M. Impossible Possibilities: Ethics and Choice in J. Coetzee's The Lives of Animals and Disgrace. English Academy Review, 18 1 , McDunnah, M. We are not asked to condemn: Sympathy, Subjectivity, and the Narration of Disgrace.
McDonald Ed. Rochester: Camden House. O'Neill, K. The Dispossession of David Lurie. Shukin, N. Singh, J. The Tail End of Disciplinarity. Journal of Postcolonial Writing, 49 4 , Wolfe, C. Wright, L. Coetzee's Narratives of Displacement. David Lurie's Learning and the Meaning of J.
Bradshaw and M. Open Journal Systems. Ayuda de la revista. Usuario Nombre de usuario Clave Recordar mis datos. Notificaciones Ver Suscribirse. Resumen Elizabeth Costello, de J. Keywords: Coetzee; Derrida; animals; sacrifice; silence; ethics. Texto completo: PDF. Referencias Aaltola, E. Berger, J. About Looking. New York: Pantheon.
Coetzee, J. London: Vintage. The Lives of Animals. Princeton: Princeton UP. Leist and Singer, P. Recordar mis datos.
Bibliography of Secondary Sources on J. Coetzee Arranged aphabetically by author. Recent entries are highlighted by a white background. Attridge, Derek, et al. Coetzee's Disgrace. Attridge, Derek.
Disgrace is a novel by J. Coetzee , published in It won the Booker Prize. The writer was also awarded the Nobel Prize in Literature four years after its publication. David Lurie is a South African professor of English who loses everything: his reputation, his job, his peace of mind, his dreams of artistic success, and finally even his ability to protect his own daughter. He is twice-divorced and dissatisfied with his job as a 'communications' lecturer, teaching a class in romantic literature at a technical university in Cape Town in post- apartheid South Africa. Lurie's sexual activities are all inherently risky.