Berlin Philharmonic bassist Edicson Ruiz advocates Viennese tuning and a period bow to bring out the best in this sonorous Classical work. I have a confession: when I was 13 years old and I heard this piece for the first time, played by some of the advanced students in my class in Venezuela, I thought it was horrible. It sounded low, heavy, difficult and not charming at all! In my opinion, it is probably the most famous and worst played audition piece for double bass, because it has been so largely modified to make it playable with the instruments that we use today.
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Duncan McTier works with the student, mainly, the tuning, note by note, also related to dynamics. At the same time, they work other aspects such as searching positions and a good quality sound. McTier also makes a comparison between some passages and some daily exercises from his own book of exercises. The professor recommends tuning with the piano - passage by passage - and checking this tuning.
If there is something wrong, the student must stop to correct it. Afterwards, prof. McTier explains how to play technically large intervals with big shifts, more accurate fingerings and how to practise them. He also recommends the student to make sure and be convinced of the good sound he produces and then, he will be able to convince the audience. Antoine Tamestit: Viola Technique exercises and Theory explanations.
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HENLE VERLAG DITTERSDORF C.D.V. - DOUBLE BASS CONCERTO IN "E MAJOR" KREBS 172
Carl Ditters von Dittersdorf 2 November — 24 October was an Austrian composer , violinist and silvologist. After retiring honorably from his military obligation, he was provided with royal letters of reference and a sinecure with the Imperial Theatre. In , the six-year-old August Carl was introduced to the violin and his father's moderate financial position allowed him not only a good general education at a Jesuit school, but private tutelage in music, violin, French and religion. After leaving his first teacher, Carl studied violin with J. Ziegler , who by , through his influence, secured his pupil's appointment as a violinist in the orchestra of the Benedictine church on the Freyung. Prince Joseph of Saxe-Hildburghausen soon noticed young Ditters, and on 1 March hired him for his court orchestra.
Masterclass: Dittersdorf Double Bass Concerto, K172
Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Don't show me this message again. Double Bass Concerto No 2 in D major composer.
He was a court composer, and as such was quite prolific. He wrote symphonies, 18 violin concertos, as well as many other works. He was an opera composer as well, and wrote 45 of them. His most popular work in his lifetime was the opera Doktor und Apotheker Doctor and Apothecary that premiered in Vienna in and was a tremendous success. Dittersdorf played 1st violin, Haydn 2 nd violin, Mozart viola and Vanhal cello. Dittersdorf held various music positions with his longest tenure being 24 years at the court of Johannesberg which is currently in the Czech Republic.