HINDEMITH ACHT STUCKE FLUTE PDF

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in by Schott Music.

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When Carol Wincenc played Hindemith's ''Acht Stucke'' for solo flute in her recital at the 92d Street Y on Tuesday night, she established subtle breathing pulsations, tapered phrases and intricate dialogues of manner and character. More vibrant gifts were heard in the sparkling moments of Telemann's Concerto in C, when the flutist was joined by a small chamber orchestra.

Six of Haydn's ''Pieces for the Musical Clock'' also passed the time charmingly, with Heidi Lehwalder chiming out harp accompaniments. But much of the music was cleanly skimmed across, without searching character or sensuous lyricism. Prokofiev's Sonata in D sounded only mildly pretty with Peter Orth at the piano. And Thomas de Hartmann's ''Concierto Andaluz'' flashed now and then with its percussion and string ensemble, before settling into the routine.

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