LANGUAGE OF PARADOX CLEANTH BROOKS PDF

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Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. If you continue browsing the site, you agree to the use of cookies on this website. See our User Agreement and Privacy Policy. See our Privacy Policy and User Agreement for details. Published on Dec 26, And I do not mean that the connotations are important as supplying some sort of frill or trimming, something external to the real matter in hand.

I mean that the poet does not use a notation at all--as a scientist may properly be said to do so. The poet, within limits, has to make up his language as he goes. SlideShare Explore Search You.

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Generally, an eBook can be downloaded in five minutes or less Show More. No Downloads. Views Total views. Actions Shares. Embeds 0 No embeds. No notes for slide. Cleanth Brooks - The Language of Paradox 1. Paradox: What is it? Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne'er saw I, never felt, a calm so deep!

The river glideth at his own sweet will: Dear God! Dear Child! What merchant's ships have my sighs drown'd?

Who says my tears have overflow'd his ground? When did my colds a forward spring remove? When did the heats which my veins fill Add one more to the plaguy bill? Soldiers find wars, and lawyers find out still Litigious men, which quarrels move, Though she and I do love. Call's what you will, we are made such by love ; Call her one, me another fly, We're tapers too, and at our own cost die, And we in us find th' eagle and the dove.

The phoenix riddle hath more wit By us ; we two being one, are it ; So, to one neutral thing both sexes fit. We die and rise the same, and prove Mysterious by this love. We can die by it, if not live by love, And if unfit for tomb or hearse Our legend be, it will be fit for verse ; And if no piece of chronicle we prove, We'll build in sonnets pretty rooms ; As well a well-wrought urn becomes The greatest ashes, as half-acre tombs, And by these hymns, all shall approve Us canonized for love ; And thus invoke us, "You, whom reverend love Made one another's hermitage ; You, to whom love was peace, that now is rage ; Who did the whole world's soul contract, and drove Into the glasses of your eyes ; So made such mirrors, and such spies, That they did all to you epitomize— Countries, towns, courts beg from above A pattern of your love.

Thus, to conclude, we may say. For one, Brooks believes that the very structure of poetry is paradox, and ignores the other subtleties of imagination and power that poets bring to their poems. The argument for the centrality of paradox and irony becomes a reductio ad absurdum and is therefore void or at least ineffective for literary analysis. You just clipped your first slide!

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Cleanth Brooks’ Concept of Language of Paradox

Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. If you continue browsing the site, you agree to the use of cookies on this website. See our User Agreement and Privacy Policy. See our Privacy Policy and User Agreement for details. Published on Dec 26, And I do not mean that the connotations are important as supplying some sort of frill or trimming, something external to the real matter in hand. I mean that the poet does not use a notation at all--as a scientist may properly be said to do so.

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Paradox (literature)

To browse Academia. Skip to main content. By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. Log In Sign Up. Raga Kamaraj. He contends that these several meanings are impossible to convey at the right depth and emotion in any Language but that of paradox.

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In literature, the paradox is a literary device consisting of the anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition — and analysis — which involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence. Cleanth Brooks, an active member of the New Critical movement, outlines the use of reading poems through paradox as a method of critical interpretation. Paradox in poetry means that tension at the surface of a verse can lead to apparent contradictions and hypocrisies. And I do not mean that the connotations are important as supplying some sort of frill or trimming, something external to the real matter in hand. I mean that the poet does not use a notation at all—as a scientist may properly be said to do so. The poet, within limits, has to make up his language as he goes.

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