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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Half-way between a work of private devotion and a collector's piece, this picture was probably painted just before Raphael's move to Rome.
Characteristically, Raphael justifies this unnatural position through a narrative device: Catherine turns her head upwards and to her right in ecstatic communion with the divine light descending in thin gold rays from the sky.
St Catherine of Alexandria is portrayed in a marvellous, twisted pose. Her left arm is leaning on her attribute, the wheel, and her right hand is pressed to her breast while she gazes up at a sky flooded with light.
The composition is as rich in harmonious movement as the coloration is full and varied. The landscape is painted with particular care. Its light shading indicates a residual influence of Leonardo, although the jagged mountains which often characterize Leonardo's landscapes are absent. The delicate modelling of the saint, the slight torsion of her body as she leans on the wheel of her martyrdom whose spikes have been reduced to rounded knobs in order to tone down the element of cruelty fully express the balanced character of Raphael's art.
The panel clearly shows the intense formal research which underlies Raphael's figurative creations. He is always careful not to excite emotions which he considers too intense and to mitigate tones and thematic elements in search of a perfect balance between design, colour, pose and expression, and between the figurative and ornamental elements.
Ovo je datoteka sa Vikimedijine ostave. Informacije sa njene stranice sa opisom prikazane su ispod. NG Nacionalna galerija u Londonu. Drugi vikiji koji koriste ovu datoteku: Upotreba na as. Florence , Rim , Perugia. Normativna kontrola. This painting was painted by Raphael using a very contrapposto pose. Ekaterina Aleksandrijska. Height: 71,1 cm; Width: 54,6 cm dimensions QS:P, Nacionalna galerija u Londonu. Public domain Public domain false false.
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O medicini u praistoriji postoje vrlo oskudnii podaci. Njihove isceliteljske sposobnosti zasnivale su se na dva izvora - iskustvu i magiji. Prema J. Tako se tokom vremena razvila praksa koja i danas postoji da ljudi drugima daju savete o bolestima i povredama koje su sami imali. O anatomiji se znalo jako malo. Iako su bili uvereni da zvezde upravljaju tokom zaraznih bolesti, i da se tok epidemije odvija po zakonima aritmetike.
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