ALESSANDRO MARCELLO OBOE CONCERTO IN D MINOR PDF

Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In the 20th and 21st centuries the concerto developed into a well-established repertoire piece, as well as an oboe concerto as performed on keyboard. In his Weimar period —17 Johann Sebastian Bach arranged several concertos by Venetian composers, most of them by Antonio Vivaldi , for solo keyboard, known as his Weimar concerto transcriptions. Vivaldi's Op. The Prince, who also composed Italianate concertos, presumably encouraged Bach to produce solo keyboard arrangements of such works. As the Prince left Weimar in July it is estimated that most of Bach's solo keyboard arrangements of Italian and Italianate concertos originated in the period from July to July

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Alessandro Marcello. At a time when most prominent composers were professional musicians who inherited their trade from their fathers, Alessandro Marcello was an amateur of the sort who would normally have been a patron to other composers. A nobleman and the son of a Venetian senator, he published poetry and involved himself in all the arts. He published his music under his Venetian Arcadian Academy pseudonym, which only fellow Academy members would likely recognize.

His D-minor Oboe Concerto, now his best-known work, was printed in Amsterdam under that pseudonym in a anthology of concertos by different composers, and it was therefore attributed to other composers, including Vivaldi, for many years. It does indeed have traits — such as the unison passage that begins the first movement and the long stretches without bass in the slow movement — that sound Vivaldian.

The concerto must have impressed Bach, who converted it into a keyboard solo, BWV All Rights Reserved. Privacy Policy. About this Piece.

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Oboe Concerto in D minor, S.Z799 (Marcello, Alessandro)

Alessandro Marcello. At a time when most prominent composers were professional musicians who inherited their trade from their fathers, Alessandro Marcello was an amateur of the sort who would normally have been a patron to other composers. A nobleman and the son of a Venetian senator, he published poetry and involved himself in all the arts. He published his music under his Venetian Arcadian Academy pseudonym, which only fellow Academy members would likely recognize. His D-minor Oboe Concerto, now his best-known work, was printed in Amsterdam under that pseudonym in a anthology of concertos by different composers, and it was therefore attributed to other composers, including Vivaldi, for many years. It does indeed have traits — such as the unison passage that begins the first movement and the long stretches without bass in the slow movement — that sound Vivaldian.

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Oboe Concerto in D Minor

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Oboe Concerto (Marcello)

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