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To browse Academia. Skip to main content. By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. Log In Sign Up. Unfollow Follow Unblock. Other Affiliations:. Irish arts: New contexts forthcoming more. Contemporary Art , Visual Arts , and Ireland.

Save to Library. X, pp. They open up onto epistemological ways of considering not only the inventions of creative and scholarly research and practice, but also invention and experimentation itself. The volume provides a space for conversation and brings out the potential of non-linear thinking by bringing together artists and scholars to consider the materiality of identity and place through the body, migrancy, ecology and digital technologies.

The contributors draw new maps, making new connections, diffracting Irish social imaginaries. This multidisciplinary collection proposes strategies and methods to ethically respond to and engage with the complex situations and urgent challenges that preoccupy our contemporary present. There is something in this book for both the specialist and non-specialist alike and it is essential reading for anyone with an interest in new methodologies in Irish studies.

New Readings of Louis MacNeice more. English, the question that scholars outside the anglosphere may ask themselves is what contribution they make to the debates English, the question that scholars outside the anglosphere may ask themselves is what contribution they make to the debates and study of Anglophone literature.

The present volume addresses this issue through the presentation of recent essays on the poet Louis MacNeice. Some of the essays collected in this volume bear witness to a French flavour in MacNeice studies. Robert Jordan examines his personal proximity to the classical education received by Louis MacNeice and decodes the connections to Byzantine Greece.

The influence of the classics is also addressed in the article written by Florence Impens. This collection of critical essays proposes new and original readings of the unique cultural and critical relationship which exists between France and Ireland, particularly in the realms of literature and culture. It seeks to re-evaluate, It seeks to re-evaluate, deconstruct and interrogate artistic productions and cultural phenomena while pointing to the potential for comparative analysis between the Gallic cousins.

Whereas the French wine tradition, the prevalence of rebellion or the weight of religious and cultural traditions in both countries are predictably covered in some of the essays, they are noticeably examined through what would be considered unconventional lenses.

Iconic scenes of the rural or urban landscapes in France and Ireland are also analysed. In addition, certain contributors deal with the impact of the recent economic downturn as they query universal interpretations of time and community-building through the arts.

Finally, the areas of sport, education, justice or alternative religious practices are explored in a thought-provoking way, and ultimately lead to unexpected cultural connections.

View on peterlang. Goarzin A. Brittany and Ireland ; what relations?. Daniel, p. France and Ireland. View on univ-brest. View on lisa. Goarzin, J. Le Disez eds. Brittany and Cornwall : What Relations? More Info: p. Irish Studies and Trauma Studies. View on pur-editions.

Neville eds. What has a woman to do with dates? Dois-je l'avouer? Goarzin, S. Jousni, Y. Goarzin et Karin Fischer dir. Karin Fischer et Anne Goarzin. Goarzin et S. Swift and P. Durcan" more. Page Numbers: pp. Publication Date: Publication Name: S. Mikowski, ed. Doi: It proposes to locate it within the numerous commemorations of the Choosing examples from the works created for the occasion, I will argue that what might appear to be a relatively minor project on the scale of nationwide actual or digital commemorations offers an opportunity to examine a practice which reconnects past events and the present duration of the artist and the viewer.

Re-contextualized by artists, archival material enables one to consider a manner of becoming in the Deleuzian sense, and of activating as yet unthought intuitions and affects, prompting forgotten stories to resurface. Key words: Prints, commemoration, , Easter Rising, archive, art.

Lynch goes on to show that the film generates a new syntax, a disrupted narrative that relies on new images. How then and why does the movie shift the viewer away from straightforward images to unsettling interpretations?

I will attempt to examine the nature of the images the film submits to our viewing and to assess their ability to establish distance between the viewer and the subject of the movie. Publication Date: Sep View on amazon.

Irish poetry is fraught with representations of atrocities and testifies to the violence of a history spanning failed agrarian rebellions, aborted revolutions, as well as the contemporary Troubles in Northern Ireland and the associated Irish poetry is fraught with representations of atrocities and testifies to the violence of a history spanning failed agrarian rebellions, aborted revolutions, as well as the contemporary Troubles in Northern Ireland and the associated sectarian attacks and terrorist methods.

This essay intends to examine how the three poets confront the effects of political violence through the medium of poetry. These students stand at a safe cultural and linguistic distance and do so decades after the Northern Irish Troubles. What then is the nature of the violence evoked in the poems, and how should it be apprehended? Dealing with texts that feature violence done to individuals or that overtly refer to violent death implies moving beyond blatant, non-literary moral judgment of texts, whose contents may be labeled by censors as unsound.

Addressing poems that deal with political violence in the classroom also offers an opportunity for any lecturer to do justice to a genre that has often been overlooked in post-secondary curricula. Because of the ability of poetry to convey a density of meaning and to challenge form, the encounter with a kind of literary expression which is unfamiliar to most students proves fruitful.

Here, engaging with the complexity of the genre goes hand in hand with the comprehension of a difficult historical context. Publication Date: View on cambridgescholars. Peter Lang. I will go on to suggest that these artists Indeed many of their works obliquely reflect their difficulty to connect with subjects whose representation was aesthetically coded.

I will conclude by showing that this realization called for alternative techniques which were to be found through exchange with fellow painters from France and Europe. Painting , Ireland , and Brittany.

Looking closely at Amongst Women, it appears that the narrative of these events is ordered by a central, authoritarian voice, that of the father. He thus gives way to a meta-narrative based on individual experience that serves as the core of a wider narrative, i.

Although the aim of this narrative is partly to justify Moran's secluded way of life, it is constantly challenged by unexpected dialogical circumstances the death of Moran's co-respondent for example , and relies on the audience's presence and will to listen to the same stories endlessly.

The antagonism between the two protagonists ensures that a narrative is created, yet it is part of a larger frozen tradition where the identity of the Irish rebel also depends on the presence of the British. However, this typically male verbal power is progressively subsumed by a new form and a renewed meaning subtly conveyed, from within the text, by the women.

Marcus, the main character, never subjects himself to a rational form of analysis in this quasi-experimental novel, and in this manner, the reader is then confronted with an elusive text where the anti-hero fantasises about an existence more than he actually lives it.

The claustrophobic space of Garradrimna is however only the starting-point of "possibilities," in the same manner that roots have rhizomes as their point of departure, so that fiction and the manner in which it is perceived and read is unceasingly put into question.

Key words: the twentieth century novel, perspectives, becoming, alter ego. Mikowski, Reims, Epure. I propose to reassess to what extent Orpen, who is caught in the I propose to reassess to what extent Orpen, who is caught in the tension between lyric subjectivity and the objective historical context of war and violence departs from iconic and aesthetic certainties to suggest an adaptive response to the events.

This article will how the visual works considered here gesture towards a commemorative practice, and seek to come to terms with the narratives of war or individual nightmarish sights. Experience of WW1 for artists and intellectuals and William Orpen. Attempts to freeze the result often a disturbing vision in a fixed frame are unsuccessful.

These representations also depend on the perception of a sometimes voyeur subject whose eyes tend to focus on the unessential and impose their own vision of the world around them. Goarzin, Y. Bevant, G.


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Elaboration de nouvelles approches micromecaniques pour l' optimisation des performances mecaniques des materiaux heterogenes. Les modeles micromecaniques de transition d'echelles qui permettent de determiner les proprietes effectives des materiaux heterogenes a partir de la microstructure sont consideres dans ce travail. L'objectif est la prise en compte de la presence d'une interphase entre la matrice et le renforcement dans les modeles micromecaniques classiques, de meme que la reconsideration des approximations de base de ces modeles, afin de traiter les materiaux multiphasiques. Un nouveau modele micromecanique est alors propose pour tenir compte de la presence d'une interphase elastique mince lors de la determination des proprietes effectives. Ce modele a ete construit grace a l'apport de l'equation integrale, des operateurs interfaciaux de Hill et de la methode de Mori-Tanaka.


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No downtime is expected, but site performance may be temporarily impacted. Refworks Account Login. Open Collections. UBC Theses and Dissertations. Featured Collection. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission.


The Orchestration of the Arts — A Creative Symbiosis of Existential Powers

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